I've been struggling with this throughout the entire LLM-generated-code arc we're currently living -- I agree that it is wack in theory to take existing code and adapt it to your use-case without proper accreditation, but I've also been writing code since Pulp Fiction was in theaters and a lot of it is taking existing code and adapting it to my use-case, sometimes without a fully-documented paper trail.
Not to mention the moral vagaries of "if you use a library, is the complete articulation of your thing actually 100% your code?"
Is there a difference between loading and using a function from ImageMagick, and a standalone copycat function that mimics a function from ImageMagick?
What if you need it transliterated from one language to another?
Is it really that different than those 1200 page books from the 90's that walk you through implementing a 3D engine from scratch (or whatever the topic might be)? If you make a game on top of that book's engine, is your game truly yours?
If you learn an algorithm in some university class and then just write it again later, is that code yours? What if your code is 1-for-1 a copy of the code you were taught?
It gets very murky very quick!
Obviously I would encourage proper citation, but I also recognize the reality of this stuff -- what if you're fully rewriting something you learned decades ago and don't know who to cite? What if you have some code snippet from a website long forgotten that you saved and used? What if you use a library that also uses a library that you're not aware of because you didn't bother to check, and you either cite the wrapper lib or cite nothing at all?
I don't have some grand theory or wise thoughts about this shit, and I enjoy the anthropological studies trying to ascertain provenance / assign moral authority to remarkable edge cases, but end of the day I also find it exhausting to litigate the use of a tool that exploited the fact that your code got hoovered up by a giant robot because it was public, and might get regurgitated elsewhere.
To me, this is the unfortunate and unfair story of Gregory Coleman [0] -- drummer for The Winstons, who recorded "Amen, Brother" in 1969 (which gave us the most-sampled drum break in the world, spawned multiple genres of music, and changed human history) -- the man never made a dime from it, never even knew, and died completely destitute, despite his monumental contribution to culture. It's hard to reconcile the unjustness of it all, yet not that hard to appreciate the countless positive things that came out of it.
I don't know. I guess at the end of the day, does the end justify the means? Feels pretty subjective!
What amazes me is how many programmers have absolutely no concept about copyright at all. This should be taught as a basic component of any programming course.
Not to mention the moral vagaries of "if you use a library, is the complete articulation of your thing actually 100% your code?"
Is there a difference between loading and using a function from ImageMagick, and a standalone copycat function that mimics a function from ImageMagick?
What if you need it transliterated from one language to another?
Is it really that different than those 1200 page books from the 90's that walk you through implementing a 3D engine from scratch (or whatever the topic might be)? If you make a game on top of that book's engine, is your game truly yours?
If you learn an algorithm in some university class and then just write it again later, is that code yours? What if your code is 1-for-1 a copy of the code you were taught?
It gets very murky very quick!
Obviously I would encourage proper citation, but I also recognize the reality of this stuff -- what if you're fully rewriting something you learned decades ago and don't know who to cite? What if you have some code snippet from a website long forgotten that you saved and used? What if you use a library that also uses a library that you're not aware of because you didn't bother to check, and you either cite the wrapper lib or cite nothing at all?
I don't have some grand theory or wise thoughts about this shit, and I enjoy the anthropological studies trying to ascertain provenance / assign moral authority to remarkable edge cases, but end of the day I also find it exhausting to litigate the use of a tool that exploited the fact that your code got hoovered up by a giant robot because it was public, and might get regurgitated elsewhere.
To me, this is the unfortunate and unfair story of Gregory Coleman [0] -- drummer for The Winstons, who recorded "Amen, Brother" in 1969 (which gave us the most-sampled drum break in the world, spawned multiple genres of music, and changed human history) -- the man never made a dime from it, never even knew, and died completely destitute, despite his monumental contribution to culture. It's hard to reconcile the unjustness of it all, yet not that hard to appreciate the countless positive things that came out of it.
I don't know. I guess at the end of the day, does the end justify the means? Feels pretty subjective!
[0] https://en.wikipedia.org/wiki/Amen_break